Immersive, Creative, Inclusive

نویسندگان

چکیده

In a deliberate and valiant effort to adapt the conditions created by recent pandemic, many theatre companies across globe shifted their activities from stage online video platforms. But in releasing large portions of back-catalogues at speed, opportunities make such shows accessible have been under-exploited. This migration has an unprecedented opportunity examine way practices are transferred screen brought into sharp focus somewhat inadequate provision for accessibility While very practice making these available online, often no cost viewer, made them more socially accessible, practical audience, as D/deaf community, ignored or addressed low fidelity way. Through lack time, expertise resources, resorted use auto-captioning tools, most basic captions. Rarely do captions come close capturing creativity they represent. paper represents call arms development bespoke tools support better, immersive creative, retroactive captioning productions presented videos. Lay Summary this article, we discuss how videos performances can be subtitled that is accurate preserves original performances. The pandemic forced perish. With playhouses closed, some moved online. They either released old footage past on platforms YouTube but did not necessarily time right members community. One one hand, easily accessed since found other whole sections general public, people, still cannot because subtitled. Most built-in generate subtitles automatically, precise help convey currently therefore suitable new need developed provide access people justice

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ژورنال

عنوان ژورنال: Journal of audiovisual translation

سال: 2022

ISSN: ['2617-9148']

DOI: https://doi.org/10.47476/jat.v5i2.2022.227